Rasmussen Guitars
Rasmussen model C Cutaway Guitar with Micro Bevel
Listed by Guitar Gallery · Nashville, TN




Photos hot-linked from Guitar Gallery’s site — never rehosted.
Specs
- Top
- European
- Back / Sides
- Brazilian Rw
- Neck
- Mahogany
- Fingerboard
- Ebony
- Body shape
- Model C
- Scale length
- 25.4"
- Nut width
- 1.75"
- Frets to body
- 14
- Strings
- 6
- Cutaway
- Yes
- Condition
- Preowned
About Rasmussen Guitars
Rasmussen Guitars is a solo shop in the rural southern Swedish village of Fastlycke, where Lars Rasmussen has been building steel-string acoustics full-time since 2006. The training arc is unusual and shows up in the work: an apprenticeship under Dana Bourgeois followed by time with Ervin Somogyi, fusing a bluegrass-flatpicker tradition with the fingerstyle-tonalist school. Players report that the resulting tone signature stays balanced between strong fundamental and clean overtone bloom in a way that works equally well under a pick or under fingers. Production is six to eight guitars per year, hand-built from master-grade alpine spruce that Lars selects in person from Swiss, Austrian, or Italian suppliers; the current wait stretches into late 2027. Models include the Model C (OM-equivalent), the smaller Model O, and the Model S. Carried by a small set of international boutique dealers and almost never available on the secondary market — owners tend to hold on.
About Guitar Gallery
Guitar Gallery is a Nashville-based online dealer specializing in fine handmade acoustic guitars, run out of South Nashville's Berry Hill music district. Their authorized-builder roster has the breadth few US shops match — Bashkin, Beauregard, Borges, Froggy Bottom, Greven, Lowden, McPherson, Olson, Osthoff, Petros, Sexauer, Tippin, Wingert, and dozens more, alongside a deep tail of vintage and used inventory from harder-to-find names like Traugott, Sobell, Klein, Wayne Henderson, and Dudenbostel. Every listing carries a consistent in-house recording — Shure SM81 or Neumann TLM 102 microphone, no EQ, no effects, mic placement held constant — so buyers can compare what each specific guitar actually sounds like rather than how it was captured. The active shelf rotates broadly across that roster rather than running deep on any single builder; the catalog as a whole is wider than it is tall.
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